Unavowed is an urban fantasy game that the Steam user tags seem to think is an RPG, possibly because someone was having a stroke; it's only an RPG in the sense that the game itself is playing the role of a 2D point-and-click adventure game. Ambitious, BioWare-inspired demonic point-and-click adventure Unavowed is out now. Wadjet Eye Games returns. News by Matt Wales, Reporter.

Originally posted by:Would love to see a sequel! But I guess it'll be difficult because the developer has to choose which ending is canon.That can be solved if the main plot is around another unavowed branch of other city.

The characters of the previous game could do a cameo or something.I don't know. As much as I'd love to see something set in Detroit or Philly, New York and the intimate knowledge of it are part of the reason Unavowed is so good. I've been to New York on various occasions and Unavowed feels right in terms of the local concerns of the neighborhoods.Besides, I'd also want to see Eli's struggle not to go evil and Mandana trying to find her self now that the only jinn in her life is dead and she no longer has a balance. And also Logan as Bestower and parent to KayKay and Vicki just because I like her.Other than obviously not being a world in which the Unavowed were killed, perhaps picking an ending can be avoided so long as they don't revisit too many of the background characters from the last game.

I think Brooklyn and Stan as muse are the only thing that would feel missing then since he's being a rabble rouser if he lives with powers. Originally posted by:Would love to see a sequel! Head soccer online. But I guess it'll be difficult because the developer has to choose which ending is canon.Maybe it's just me, but I really don't think there's a huge difficulty to 'choose' which ending is canonical since the bad endings are pretty obvious in this game. Since someone mentioned Kings Quest IV above, that also has several variations of a bad endings, but it's so obvious the game wasn't supposed to end with Graham dying so there wasn't really an issue with Kings Quest V featuring him in the lead role.

If John Ciardi's statement possibly disguises a certain smugness when he claims: 'I think, too, I should acknowledge a debt of borrowed courage to all other translators of Dante; without their failures I should never have attempted my own' (Ciardi, 1954: xi), Louis Biancolli, a writer and music critic who translated the Divine Comedy into blank verse in 1966, seems more at ease with the collaborative nature of this type of effort: To some degree, avowed or unavowed, all Dante translation-perhaps all translation of much-translated classics-is co-operative.